Date: 2012-06-15 05:04 pm (UTC)
Well, actually...

Alexandra Byrne said. "I also had the advantage of having worked closely with Chris and Tom through one production, and could capitalize on what I learned from them both in performance and movement. There was also benefit in what I learned through building the costumes for Thor. The costumes are very complex, and there were inevitably decisions and building choices that I wanted to refine. It can be that an early technical decision impacts time and time again through the building process - and although it was the right decision at that point in the process, as the costume comes near completion, a better solution becomes obvious. It could be as simple as where to place a zipper or where to make an articulation in a piece of armor."

Now, I know we like to study that area but a wrong seam or extra fabric can play tricks. In this case, I think they found out how fearless and unconcerned for his own safety Tom appeared to be with his stunts and his protective cup is what makes most of the bulge. In Avengers, they learned better how to disguise such things.

Flamenco dancer?
So not Phil's style, she's a cellist.
I've discussed her before in a couple of posts:
http://ericadawn16.livejournal.com/487484.html (http://ericadawn16.livejournal.com/487484.html)

http://ericadawn16.livejournal.com/490188.html (http://ericadawn16.livejournal.com/490188.html)
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